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<channel>
	<title>Emilie Crewe</title>
	<link>https://emiliecrewe.com</link>
	<description>Emilie Crewe</description>
	<pubDate>Thu, 18 Jul 2024 21:43:05 +0000</pubDate>
	<generator>https://emiliecrewe.com</generator>
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		<title>Friction Ridge</title>
				
		<link>https://emiliecrewe.com/Friction-Ridge</link>

		<pubDate>Wed, 01 Nov 2023 21:10:10 +0000</pubDate>

		<dc:creator>Emilie Crewe</dc:creator>

		<guid isPermaLink="true">https://emiliecrewe.com/Friction-Ridge</guid>

		<description>Friction Ridge, 2023/’24

Video Documentation

&#60;img width="2722" height="2042" width_o="2722" height_o="2042" data-src="https://freight.cargo.site/t/original/i/a4a71f7b7f535ced7d384a21b282f6621bcd52b89b496f58aae032499a73a8ca/Friction-Ridge-Exterior_Emilie-Crewe.jpeg" data-mid="196048831" border="0"  src="https://freight.cargo.site/w/1000/i/a4a71f7b7f535ced7d384a21b282f6621bcd52b89b496f58aae032499a73a8ca/Friction-Ridge-Exterior_Emilie-Crewe.jpeg" /&#62;
RGB Silicone LED Light Strips mounted on Six Aluminum Frames (108” x 72”) - Three Exterior Façade/Three Interior-Facing; Raspberry Pi Computer w/ Real-time Interactive Website Application coded in Python Language &#124; Electronics Technician &#38;amp; Code Designer:&#38;nbsp; Christopher Jung &#124; Fabricators:&#38;nbsp; Area58 Innovation


	
Friction Ridge is an interactive LED light installation featured on New Westminster’s City Hall (511 Royal Avenue, New Westminster, BC). The project aims to connect the local community with their government officials through a real-time messaging system connected to silicone LED light strips that resemble traditional neon signage. &#38;nbsp;The public is invited to visit the project app and communicate with the artwork, sending messages via text that translate directly into cascading colours. Each letter of the alphabet represents a different RGB colour code, chasing through the bands of silicone.
	&#60;img width="980" height="1307" width_o="980" height_o="1307" data-src="https://freight.cargo.site/t/original/i/7ea9c43f33bba8a060ece66117c7419ee884cacd425dd4a369eb96e3a8865df0/friction_ridge_interior.jpeg" data-mid="195783664" border="0"  src="https://freight.cargo.site/w/980/i/7ea9c43f33bba8a060ece66117c7419ee884cacd425dd4a369eb96e3a8865df0/friction_ridge_interior.jpeg" /&#62;

Composed to mimic the pattern of fingerprints, the project intends to honour individual views while also bringing awareness to the strength and tenacity of the collective voice.


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	The title of the artwork references the thick layer of skin on our fingertips called the “friction ridge”, while also signifying the location of the building atop a literal ridge that overlooks the city and the Stó:lō [Fraser] River. Over the last couple of years, the City of New Westminster has seen significant change and turnover in the local government. A municipality’s city hall can be viewed as a place of friction, where town hall meetings convene, councillors assemble, and bills and bylaws come to pass. Friction Ridge is meant to bridge the gap between city officials and the public, forging a place for accountability, prospect, and possibility.The aim of this artwork is to provide a cathartic avenue for community members to metaphorically imprint their thoughts, ideas, and concerns onto the physical location of New Westminster’s City Hall.It’s an opportunity for locals to make their mark on the building that serves as the city’s headquarters, and is home to city council, the mayor’s office and various service departments. Each message that is typed into the website is ephemeral.
There will be no log or record of the words entered online. Text will be transcribed into vibrant colours, poetically emoting in real-time.&#38;nbsp; Messages will loop in a colour sequence until a new text is entered into the system.

The request is simple: Let your voice be heard. &#38;nbsp;


	&#60;img width="501" height="499" src="https://freight.cargo.site/w/501/i/99d507d5debc5b8ecb4ae33d9d6573db2a4f5262353c79be46c90aa978b9cfb4/FrictionRidge.jpg" style="width: 192.907px; height: 192.137px;"&#62;Hicklin, R.A. (2009). Anatomy of Friction Ridge Skin. In: Li, S.Z., Jain, A (eds) Encyclopedia of Biometrics. Springer, Boston, MA.
&#60;img width="3984" height="2241" width_o="3984" height_o="2241" data-src="https://freight.cargo.site/t/original/i/e338947da6920de55f1fb3a48a8c4e0c14753857feff3b5a52ac1cbbb1067838/FrictionRidge_3B.jpg" data-mid="195587088" border="0"  src="https://freight.cargo.site/w/1000/i/e338947da6920de55f1fb3a48a8c4e0c14753857feff3b5a52ac1cbbb1067838/FrictionRidge_3B.jpg" /&#62;Friction Ridge - Hand-drawn Mockup Design, Emilie Crewe, 2021</description>
		
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		<title>Orinthonics</title>
				
		<link>https://emiliecrewe.com/Orinthonics</link>

		<pubDate>Sat, 02 May 2020 17:18:13 +0000</pubDate>

		<dc:creator>Emilie Crewe</dc:creator>

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		<description>ORINTHONICS, 2020


ORINTHONICS, April 2020 &#124; 2’53”Animation &#38;amp; Textural Sound by Emilie CreweOriginal Music Composed and Performed by Ralph Crewe


Strange things happen in isolation. The story of an elusive earthworm, a hungry thrush and a curious birdwatcher takes shape over one-thousand digital scans.

The title is a blend of "ornis" coming from the Greek word for "bird", and "thonics" (or chthonics), meaning "beneath the earth" or "subterranean".

* ORINTHONICS was screened at the El Ojo Iluso Festival at Bordes Fundación Cultural in San Cristóbal, Venezuela in 2020 and was awarded Best in Video Art.&#38;nbsp; It was exhibited as part of the 2020&#38;nbsp;Photophobia: Contemporary Moving Image Festival&#38;nbsp;in partnership between the Art Gallery of Hamilton + Hamilton Artists Inc.  &#38;nbsp;ORINTHONICS has also been screened at the 2020 Iso Film Festival (IFF), Madrid Indie Film Festival in Madrid, Spain (2020), the Insomnia International Open-Air Animation Film Festival in Kaluga, Russia (2021) and the International Video Poetry Festival, Videobardo in Buenos Aires, Argentina (2021).&#38;nbsp; In 2021/2022 it was exhibited through Broadcast Lab at Arts Commons in Calgary, Alberta, Canada as part of a group exhibition curated by Sanja Lukac.&#38;nbsp; The artwork has also been shown publicly on the Reno Canyon Flats Video Wall commissioned by the City of Reno Nevada, as well as the Mount Pleasant Community Art Screen, a digital public art urban screen curated by grunt gallery in Vancouver, BC.
** Please see current CV for updates

</description>
		
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	<item>
		<title>The Art of Fugue</title>
				
		<link>https://emiliecrewe.com/The-Art-of-Fugue</link>

		<pubDate>Sun, 28 Jul 2019 17:03:33 +0000</pubDate>

		<dc:creator>Emilie Crewe</dc:creator>

		<guid isPermaLink="true">https://emiliecrewe.com/The-Art-of-Fugue</guid>

		<description>The Art of Fugue, 2019
Project Website: &#38;nbsp;https://videoartfugue.com/


	
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The Art of Fugue: A Polyphonic Instrumental Video Featuring Five Women Working in Trades, 2019Five-channel Synced HD Video + Textural Stereo Sound16'16" (seamless loop)by Emilie Crewehttps://vimeo.com/326492713
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;Watch Video ︎
The Art of Fugue is a multi-channel video featuring five women working in trade industries. The artwork is a chorus of female performers telling stories through the repetitive actions and movements of skilled work. Edited using the traditional musical structure of a fugue, each screen acts as a singular voice contributing to the artwork as a whole. Arranged and composed using a metronome set to 80 beats per minute and a 4/4 time signature, the framework and timing of each video component is highly intentional. 
Similar to a musical composition, the videos harmonize in tone, texture, colour, rhythm and contour. The artwork is polyphonic, meaning there are multiple "melodies" that are simultaneously present. Highlighting women in trades is both an aesthetic decision and a symbolic choice. There is strength and resilience to be found in a performer whose work is in a typically male-dominated field. This contributes to the spirit of the video, with the intention of authentically capturing the tenacity and power of the female voice.[For reference, The Oxford Dictionary’s definition of a fugue is, a polyphonic composition in which a short melodic theme, the subject, is introduced by one part or voice, and successively taken up by the others and developed by their interweaving.

Five-channel Installation


* Please refer to the project website for installation mockups and technical requirements for exhibitions.https://videoartfugue.com/




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Featuring:


Chelsea Barron - MachinistChelsea Barron is a member of the Tsilhqot’in (Chilcotin) Nation and is registered with the Anaham band (Tl’etinqox) which is part of the Tsilhqot’in Nation. When she was young, she played hockey on a boys’ team and fantasized about playing professionally. The work ethic she learned from sports and the examples set by her father and brother, who are both tradespeople, led her to pursue to a career she loves as a Red Seal Machinist.
Mary-Anne Bowcott - PlumberMary-Anne Bowcott is a Journeyperson, Plumber and small business owner from Vancouver Island, BC. She is an advocate for Women in Trades, providing support and mentorship to women throughout British Columbia.&#38;nbsp; Her business, WestCom Plumbing and Heating, employs an all-female crew. Mary-Anne won the Sooke Region Chamber of Commerce Trades and Skilled Labour Excellence Award in 2017, and was the recipient of the Canadian Construction Association’s Person of the Year Award in 2019.Brandie Doucette - PainterBrandie Doucette is a Métis Citizen born and raised in Vancouver, BC. She studied at the British Columbia Institute of Technology (BCIT) in a number of trades, including Electrical Level 1. Brandie enrolled in a&#38;nbsp; course for Métis Citizens that was an educational pilot project to train and employ railway conductors.&#38;nbsp; Between her studies, she worked as a painter for various companies, learning the trade and accepting it as her calling. &#38;nbsp;It is her belief that, “You do not choose painting, painting chooses you.” After working as a productions manager and learning the business side of the trade, she took a leap of faith and started her own company, FINE HOME PAINTING. When Brandie’s not busy running her business, she enjoys spending time with her 3 children, surfing, camping, reading and watching scary movies together.&#38;nbsp; Her greatest joy is that of her family.

Meg Iredale - ArboristMeg Iredale is an Arborist, Sawyer and Carpenter based on Mayne Island, BC. Having been home-schooled, she learned early to follow her interests and to push society’s expectations of what a girl can do! Meg has mostly been taught by mentors on the job, and enjoys taking part in the full process from Tree to Timber to Home. She lives on a farm property with her dog and cats, and helps run a music and art festival (Campbell Bay Music Festival) each June on Mayne.Katie Stockford - MechanicKatie Stockford is an automotive mechanic based in Vancouver, British Columbia, Canada. She did some of her training in the Kootenays at Selkirk College. Her small shop, Neighbourhood Automotive, provides excellent customer service to members of the community. She enjoys servicing vehicles and is always eager to get people back up and running. She is passionate about 4x4ing and dirt biking!
Production Assistance:Sebnem OzpetaSebnem Ozpeta is a Vancouver-based visual artist, video editor, and videographer. She studied graphic design in Turkey, where she was born and raised. She also completed the digital film program at The Art Institute of Vancouver. She has produced short films and video installations that have been screened and exhibited in festivals in Europe, Canada and Turkey.
Camera:Sebnem OzpetaEmilie CreweVideo + Sound Editing:Emilie Crewe


Equipment + Technical Support:VIVO Media Arts Centre, Vancouver, BC&#60;img width="167" height="50" src="https://freight.cargo.site/w/167/i/e576c072f5f2ad2818e575d9d904c5d5d6f5544319bcf72b68a4ab0e79668c6b/VIVO_logo.png" style="width: 167px; height: 50px;"&#62;Special thanks to Joey Carr, Annik Gaudet and Erin Nixon
	We acknowledge the support of the Canada Council for the Arts.Nous remercions le Conseil des arts du Canada de son soutien.&#60;img width="1200" height="220" width_o="1200" height_o="220" data-src="https://freight.cargo.site/t/original/i/a4822df3e1f7b9eb72be175869ead489772a19aa412a2df86d336f23a4da268b/CCFA_RGB_colour_e.jpg" data-mid="52795646" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/a4822df3e1f7b9eb72be175869ead489772a19aa412a2df86d336f23a4da268b/CCFA_RGB_colour_e.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Joshua Watson's Leg</title>
				
		<link>https://emiliecrewe.com/Joshua-Watson-s-Leg</link>

		<pubDate>Tue, 29 Sep 2020 03:11:31 +0000</pubDate>

		<dc:creator>Emilie Crewe</dc:creator>

		<guid isPermaLink="true">https://emiliecrewe.com/Joshua-Watson-s-Leg</guid>

		<description>Joshua Watson’s Leg (In Four Movements), 2021
Project Website: &#38;nbsp;https://joshuawatsonsleg.com/Joshua Watson’s Leg (In Four Movements) is a three-channel video installation accompanied by an assortment of pseudo-historical objects and a handbound sculptural book (w/ embedded digital screen).&#38;nbsp; The project is based off of an authentic 18th century handwritten note that was found in a bin of scrap paper at a traditional bookbindery in 2015. 
The artwork is intended to be shown as a large-scale exhibition with faux artifacts.&#38;nbsp; 

















Viewers will
recognize the items within the three-channel video as the additional components
in the exhibition. By incorporating antiquated objects and relics from the video, and presenting them in a museum-like manner, the aim is to challenge the audience’s perception of history and what can be percieved as fact, versus the illusary narrative produced by the artist.
Please see the project website for a more detailed description of the artwork.





	Joshua Watson’s Leg (In Four Movements), 2021Three-channel HD Video &#124; 23’45”(In Four-Part Symphonic Form) 
	Bruce Stens as Joshua WatsonRichard Smart as Henry NewburnSherry Duggal as Malin Sorsbie

Structured as a four-part symphony, Joshua Watson’s Leg (In Four Movements), follows the pseudo-historical account of a grave accident resulting in the eventual anthropodermic binding of a disturbing “coroner’s report”. Bookbinder, Henry Newburn, comes across the body of Joshua Watson in the woods. Keeping time, Newburn drags the corpse back to his nearby workshop.Bindery apprentice, Malin Sorsbie, prepares the body for the tanning process, while subtly tucking away a fractured shard of bone in her apron.&#38;nbsp; As Henry methodically binds a leather book out of Joshua Watson’s skin, a process known as anthropodermic bibliopegy, Malin practices her calligraphy skills on scraps of paper.

&#60;img width="2600" height="993" width_o="2600" height_o="993" data-src="https://freight.cargo.site/t/original/i/cb41ba59517b68847f8cd28b4b0f82e1b05144289c87f0cef2207b75a693fa3b/2_Crewe_Emilie.jpg" data-mid="102892230" border="0"  src="https://freight.cargo.site/w/1000/i/cb41ba59517b68847f8cd28b4b0f82e1b05144289c87f0cef2207b75a693fa3b/2_Crewe_Emilie.jpg" /&#62;Three-Channel Video Installation Mock-Up



Narrative Synopsis (Broken Down by Movement)


	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/293983f42f0b6fd8dfb0e45e2853e724e43a6d863b05220d74a9c54345fe060d/BruceForestSTILL.jpeg" data-mid="86962096" border="0"  src="https://freight.cargo.site/w/1000/i/293983f42f0b6fd8dfb0e45e2853e724e43a6d863b05220d74a9c54345fe060d/BruceForestSTILL.jpeg" /&#62;
I.&#38;nbsp; The Accident &#124; Allegro - 120 BPM &#124; Sonata FormJoshua Watson’s leg had been badly broken in the accident. A sharp bone pierced his skin, and he bled out over the course of many hours...Woodland tracker and bookbinder, Henry Newburn, comes across Joshua’s body at the bottom of a ravine. A workable leather specimen, the craftsman carefully procures his find, dragging the cadaver through the brush to his nearby workshop.
*BPM = Beats per Minute
	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bf14f01771f3123ac540c63c1217be2614842461e1b1b5f42dfc0ab7a540f163/MalinVIVOSTILL.jpeg" data-mid="86962094" border="0"  src="https://freight.cargo.site/w/1000/i/bf14f01771f3123ac540c63c1217be2614842461e1b1b5f42dfc0ab7a540f163/MalinVIVOSTILL.jpeg" /&#62;
II. &#38;nbsp;The Resurrection &#124; Adagio - 66 BPM &#124; Slowly, with Great ExpressionUpon arrival, the awaiting apprentice, Malin Sorsbie, patiently assists Newburn in preparing the corpse for the tanning process.&#38;nbsp; Malin nurtures Joshua Watson’s remains, delicately washing his lifeless body.
	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2fcef485b8f60a7a262e7a16be4998b7f0c6717286a8ea499fad82edb90b7bd7/BruceDeadSTILL-2.jpeg" data-mid="86962097" border="0"  src="https://freight.cargo.site/w/1000/i/2fcef485b8f60a7a262e7a16be4998b7f0c6717286a8ea499fad82edb90b7bd7/BruceDeadSTILL-2.jpeg" /&#62;
III. &#38;nbsp;The Undertaker’s Minuet &#124; Andante - 88 BPM &#124; Three-Quarter TimeThe dance begins in a damp, candlelit workshop. Henry Newburn strikes a match, illuminating his face as he stokes his pipe. The dried tobacco leaves gently crackle into frail embers. The air is rancid and sweet, as thick drags of dry smoke mingle with humidity.
	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2c5c2391ca77fc6603596d21d2e3f1639aa3c6ed8b6cb089f465d99ed379886e/JW_toolingBOOK_STILL.jpeg" data-mid="86962095" border="0"  src="https://freight.cargo.site/w/1000/i/2c5c2391ca77fc6603596d21d2e3f1639aa3c6ed8b6cb089f465d99ed379886e/JW_toolingBOOK_STILL.jpeg" /&#62;
IV. &#38;nbsp;Joshua’s Requiem &#124; Varying Tempos&#124; Sonata Rondo Form (Finale)Henry’s hands are fermenting. He waits for his partner, Joshua, whose skin is taut on a frame. Rising from his arthritic chair, he tends to his companion with earnest measurement. The wet coolness has left the hide. Placing the leather on a thick paring stone, Henry strops his knife and pushes his weight into the hide. Thin slivers of velvety suede fall to the side of the stone, as Henry brushes them away and diligently works the skin into a delicate tissue, so thin that you can almost see through it.
... Malin and Joshua join in the rollicking finale of Joshua Watson’s Leg.


The Account of Joshua Watson




















 Clay Death Mask, Handbound Sculptural Book w/ Inlaid Teeth &#38;amp; Digital Video Screen 
Collection of Pseudo-Historical Objects


&#60;img width="4989" height="2806" width_o="4989" height_o="2806" data-src="https://freight.cargo.site/t/original/i/345bafb8986ae368739855db4b9ece3f3a8e6eeb40da0b6e83370ca32dec1f3a/Bone.jpg" data-mid="84086661" border="0"  src="https://freight.cargo.site/w/1000/i/345bafb8986ae368739855db4b9ece3f3a8e6eeb40da0b6e83370ca32dec1f3a/Bone.jpg" /&#62;
&#60;img width="5093" height="2865" width_o="5093" height_o="2865" data-src="https://freight.cargo.site/t/original/i/b666e1ed64e06ec13a4d56ab47c8e2b00ea6fa1ef85cbb96e55be0bbe9d50009/Glasses.jpg" data-mid="84086669" border="0"  src="https://freight.cargo.site/w/1000/i/b666e1ed64e06ec13a4d56ab47c8e2b00ea6fa1ef85cbb96e55be0bbe9d50009/Glasses.jpg" /&#62;
&#60;img width="4963" height="2792" width_o="4963" height_o="2792" data-src="https://freight.cargo.site/t/original/i/d456e708e1d0f1adaa9429e3a5aeedb1db82bebe20f3ca8fe86b03f9b3617380/Pipe.jpg" data-mid="84086672" border="0"  src="https://freight.cargo.site/w/1000/i/d456e708e1d0f1adaa9429e3a5aeedb1db82bebe20f3ca8fe86b03f9b3617380/Pipe.jpg" /&#62;
&#60;img width="5083" height="2859" width_o="5083" height_o="2859" data-src="https://freight.cargo.site/t/original/i/14ead57b3dba8a766c3d87d69c9906bc0d68323a495d3bedafd175f38bac63f7/DeathMask.jpg" data-mid="84086679" border="0"  src="https://freight.cargo.site/w/1000/i/14ead57b3dba8a766c3d87d69c9906bc0d68323a495d3bedafd175f38bac63f7/DeathMask.jpg" /&#62;
&#60;img width="5157" height="2900" width_o="5157" height_o="2900" data-src="https://freight.cargo.site/t/original/i/65aae249018fbeecbbec0a37f73675de4d515cbab8c1a1922531448d682a01ef/DeathMask2.jpg" data-mid="84086760" border="0"  src="https://freight.cargo.site/w/1000/i/65aae249018fbeecbbec0a37f73675de4d515cbab8c1a1922531448d682a01ef/DeathMask2.jpg" /&#62;
&#60;img width="3382" height="1902" width_o="3382" height_o="1902" data-src="https://freight.cargo.site/t/original/i/a7df30040130cc3f184a2bb8938938236a0f15a4498cbd78fda20a6e02ba92c2/DeathMask3-1.jpg" data-mid="84097078" border="0"  src="https://freight.cargo.site/w/1000/i/a7df30040130cc3f184a2bb8938938236a0f15a4498cbd78fda20a6e02ba92c2/DeathMask3-1.jpg" /&#62;
&#60;img width="3384" height="1904" width_o="3384" height_o="1904" data-src="https://freight.cargo.site/t/original/i/79897c5c924e36845e3801987dfd5022dfca1b1ed921990d5dcbe1df00869509/JW_DeathMask_FINAL-1.jpg" data-mid="84097083" border="0"  src="https://freight.cargo.site/w/1000/i/79897c5c924e36845e3801987dfd5022dfca1b1ed921990d5dcbe1df00869509/JW_DeathMask_FINAL-1.jpg" /&#62;
&#60;img width="3382" height="1902" width_o="3382" height_o="1902" data-src="https://freight.cargo.site/t/original/i/5b4bbc7d87ba1510ac5571f7107b7e7381e300d4fa2b7a4ea24658eb6c9284bf/BackBox.jpg" data-mid="84096399" border="0"  src="https://freight.cargo.site/w/1000/i/5b4bbc7d87ba1510ac5571f7107b7e7381e300d4fa2b7a4ea24658eb6c9284bf/BackBox.jpg" /&#62;
&#60;img width="5050" height="2840" width_o="5050" height_o="2840" data-src="https://freight.cargo.site/t/original/i/6112d545c5c4449c1a8e617aa377911e1a30b33382443b8b74d6e985d4311067/MalinBook.jpg" data-mid="84086880" border="0"  src="https://freight.cargo.site/w/1000/i/6112d545c5c4449c1a8e617aa377911e1a30b33382443b8b74d6e985d4311067/MalinBook.jpg" /&#62;
&#60;img width="4876" height="2743" width_o="4876" height_o="2743" data-src="https://freight.cargo.site/t/original/i/a5e07d17a20cec87a9941be0d1cfe4a3c2be7c0e2d9872812c481742cb56278c/MalinBook2.jpg" data-mid="84086883" border="0"  src="https://freight.cargo.site/w/1000/i/a5e07d17a20cec87a9941be0d1cfe4a3c2be7c0e2d9872812c481742cb56278c/MalinBook2.jpg" /&#62;
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&#60;img width="5184" height="2916" width_o="5184" height_o="2916" data-src="https://freight.cargo.site/t/original/i/2fc558423e9824518cee9dcf0330e0e12751872464ee22ec2281053cd0cb115c/Notebook.jpg" data-mid="84086828" border="0"  src="https://freight.cargo.site/w/1000/i/2fc558423e9824518cee9dcf0330e0e12751872464ee22ec2281053cd0cb115c/Notebook.jpg" /&#62;
&#60;img width="5184" height="2916" width_o="5184" height_o="2916" data-src="https://freight.cargo.site/t/original/i/5fbde8c997a045835e0dd204a6428b3c7dd57eaf9c8589e661a6ddb3e2e74a8f/Notebook3.jpg" data-mid="84086860" border="0"  src="https://freight.cargo.site/w/1000/i/5fbde8c997a045835e0dd204a6428b3c7dd57eaf9c8589e661a6ddb3e2e74a8f/Notebook3.jpg" /&#62;
&#60;img width="5184" height="2916" width_o="5184" height_o="2916" data-src="https://freight.cargo.site/t/original/i/cbead3f56671db6de8e07d56112bb9b2ecc82fd264583ee67f8edc087c90f03d/ChuckBuck.jpg" data-mid="84086903" border="0"  src="https://freight.cargo.site/w/1000/i/cbead3f56671db6de8e07d56112bb9b2ecc82fd264583ee67f8edc087c90f03d/ChuckBuck.jpg" /&#62;
&#60;img width="5184" height="2916" width_o="5184" height_o="2916" data-src="https://freight.cargo.site/t/original/i/31c95922ed71ff84d1d20a98f0b24e677234e93f4effb36818a66acd19805b6e/ChuckBuck2.jpg" data-mid="84086911" border="0"  src="https://freight.cargo.site/w/1000/i/31c95922ed71ff84d1d20a98f0b24e677234e93f4effb36818a66acd19805b6e/ChuckBuck2.jpg" /&#62;
Above:&#38;nbsp; Shankbone of Joshua Watson, Henry Newburn’s Glasses &#38;amp; Pipe, Joshua Watson’s Death Mask, Anthropodermic Handbound Book w/ Teeth Inlays, Malin Sorsbie’s Apprentice Folio, Joshua Watson’s pocket Diary, Two-headed Taxidermied Rat


Joshua Watson’s Leg (In Four Movements) is based offof an authentic 18th century handwritten note:
&#60;img width="2390" height="1456" width_o="2390" height_o="1456" data-src="https://freight.cargo.site/t/original/i/47444e1a97345a3eb8f0f3520306206c1cdb6af20a07c16daba3d3e5b7002953/JW_Note-copy.png" data-mid="84100630" border="0"  src="https://freight.cargo.site/w/1000/i/47444e1a97345a3eb8f0f3520306206c1cdb6af20a07c16daba3d3e5b7002953/JW_Note-copy.png" /&#62;Above:  Handwritten Note by Malin Sorsbie (1773); Uncovered in a bin of scrap paper at Old English Bindery in 2015
“This was Wrote on Sunday 24th January 1773 by Malin Sorsbie, with a Bone which was taken out of
Joshua Watsons Leg the Same Day, by Henry Newburn”



&#60;img width="1537" height="259" width_o="1537" height_o="259" data-src="https://freight.cargo.site/t/original/i/5b426df62a4204d954b7a4c6852be811bbe47be48181fc441971f41a516afafc/ArtsCouncil-BCID-lockup-BW-pos.png" data-mid="84098701" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/5b426df62a4204d954b7a4c6852be811bbe47be48181fc441971f41a516afafc/ArtsCouncil-BCID-lockup-BW-pos.png" /&#62;

&#60;img width="1010" height="438" width_o="1010" height_o="438" data-src="https://freight.cargo.site/t/original/i/d0c5e553c8231dfcc0f3ab00f0636192c57336efeb5b6c536c7a3786acdd409a/VIVO_logo_lines_large_BW.png" data-mid="92130114" border="0" data-scale="32" src="https://freight.cargo.site/w/1000/i/d0c5e553c8231dfcc0f3ab00f0636192c57336efeb5b6c536c7a3786acdd409a/VIVO_logo_lines_large_BW.png" /&#62;With sincerity and gratitude, I acknowledge that I live and work on the the stolen, sacred and ancestral territories of the sḵwx̱wú7mesh, sel̓íl̓witulh &#38;amp; xʷməθkʷəy̓əm nations.</description>
		
	</item>
		
		
	<item>
		<title>This Is for You</title>
				
		<link>https://emiliecrewe.com/This-Is-for-You</link>

		<pubDate>Fri, 28 Feb 2020 02:46:05 +0000</pubDate>

		<dc:creator>Emilie Crewe</dc:creator>

		<guid isPermaLink="true">https://emiliecrewe.com/This-Is-for-You</guid>

		<description>This Is for You, 2020
	This Is for You (An Elegy for My Father), 2020&#38;nbsp;Three-channel HD Video with 5.1 Surround SoundFeaturing Julia McIntyre on Bass Trombone9’10”

This Is for You is an elegiac song featuring prominent Canadian bass trombonist, Julia McIntyre.&#38;nbsp; Situated in an antiquated theatre in Winnipeg, Manitoba, the video drifts through a musical lament, followed by an ode of praise, and eventually concluding with a movement of solace.&#38;nbsp; The artwork is dedicated to the artist’s father, Murray Crewe (1960-2017), who was the longtime mentor of Julia McIntyre.&#38;nbsp; A bass trombonist himself, he gifted his instrument to his student, Julia, after falling ill a few years before his death in 2017.&#38;nbsp; As Julia’s physical breath moves through the instrument, the bass trombone becomes an extension of her body, and her musical voice reverberates in an empty theatre.&#38;nbsp; 
A now weathered object, the trombone itself holds physical remnants of the artist’s father.&#38;nbsp; His fingerprints are embedded within the brass.&#38;nbsp; Skin and oil residue is ingrained throughout the instrument, showing decades of handling and wear. &#38;nbsp;This Is for You is a narrative about memory, loss and wading through grief.
Video + Textural Sound by Emilie Crewe &#124; Camera:&#38;nbsp; Sebnem Ozpeta &#38;amp; Emilie Crewe
We acknowledge the support of the Canada Council for the Arts.Nous remercions le Conseil des arts du Canada de son soutien.&#60;img width="1200" height="220" src="https://freight.cargo.site/w/1200/q/75/i/a4822df3e1f7b9eb72be175869ead489772a19aa412a2df86d336f23a4da268b/CCFA_RGB_colour_e.jpg" style="width: 254.993px; height: 46.7487px;" data-scale="28"&#62;

&#60;img width="5760" height="1080" width_o="5760" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0ce74e883aba734dc5e4acfdc09725769b0f06d3165305d22e3b5f8667902705/ThisIsForYou_03.jpg" data-mid="62193870" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/0ce74e883aba734dc5e4acfdc09725769b0f06d3165305d22e3b5f8667902705/ThisIsForYou_03.jpg" /&#62;
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&#60;img width="5760" height="1080" width_o="5760" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5b4e7fd196bb66889af094a48c6372f1dff79d79989441e329add47bcb3167da/ThisIsForYou_10.jpg" data-mid="62193877" border="0"  src="https://freight.cargo.site/w/1000/i/5b4e7fd196bb66889af094a48c6372f1dff79d79989441e329add47bcb3167da/ThisIsForYou_10.jpg" /&#62;



As Julia unpacks the layers of her own practice in the video, I am unravelling an unexpected, elegiac song that is an ode to my father.&#38;nbsp; While Julia moves through the grief she is experiencing as her career as a musician transforms into the unknown (she is studying engineering and architecture after retiring from the Winnipeg Symphony Orchestra), I am similarly working through the grief of losing my dad (and for her, the loss of her long-time mentor). As the artwork takes shape, I am overcome with awe... at how resilient we are as humans, at how music moves us, at how the creative process heals us, and at the strangeness of just being here. &#38;nbsp;


	&#60;img width="955" height="1316" width_o="955" height_o="1316" data-src="https://freight.cargo.site/t/original/i/8e57d1e1356485ccd335858bfc945ad181b173cf9bde10d0a0f9e12b92e60f96/Dad_trombone.jpg" data-mid="62393594" border="0" data-scale="100" src="https://freight.cargo.site/w/955/i/8e57d1e1356485ccd335858bfc945ad181b173cf9bde10d0a0f9e12b92e60f96/Dad_trombone.jpg" /&#62;
	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b84df28a66d1139ce87ba7a63bb0da6710e1ef35083a7910fc2b09f0bf580cdf/DADfingerprints.jpeg" data-mid="62393708" border="0"  src="https://freight.cargo.site/w/1000/i/b84df28a66d1139ce87ba7a63bb0da6710e1ef35083a7910fc2b09f0bf580cdf/DADfingerprints.jpeg" /&#62;
A headshot of Murray Crewe (1990) with his bass trombone, now belonging to Julia McIntyre and featured in the video, This Is for You.&#38;nbsp; Also included, a detailed video still image of Murray’s fingerprints embedded in the body of the instrument.



Produced During an Artist Residency at:

&#60;img width="330" height="98" width_o="330" height_o="98" data-src="https://freight.cargo.site/t/original/i/e20e970bc12a10dd1117c2e814cfa79ff9e496d9353d5b25962b977f0b4fe8a2/Screen-Shot-2015-09-29-at-2.06.36-PM.png" data-mid="62390164" border="0"  src="https://freight.cargo.site/w/330/i/e20e970bc12a10dd1117c2e814cfa79ff9e496d9353d5b25962b977f0b4fe8a2/Screen-Shot-2015-09-29-at-2.06.36-PM.png" /&#62;
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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0885fed1e705b390af3741be8295f9c19601605435bc30af9bc7f9297028ee78/IMG_0065.jpeg" data-mid="62398805" border="0"  src="https://freight.cargo.site/w/1000/i/0885fed1e705b390af3741be8295f9c19601605435bc30af9bc7f9297028ee78/IMG_0065.jpeg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/52845a652e066614596e62361c55ace0c59287ea73670656c262d5d334ecad4d/IMG_0074.jpeg" data-mid="62591262" border="0"  src="https://freight.cargo.site/w/1000/i/52845a652e066614596e62361c55ace0c59287ea73670656c262d5d334ecad4d/IMG_0074.jpeg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/08eb56707e58da19b7e28838dac3fd396bc70ad869fca3054be749fdb64fc426/IMG_0069.jpeg" data-mid="62591265" border="0"  src="https://freight.cargo.site/w/1000/i/08eb56707e58da19b7e28838dac3fd396bc70ad869fca3054be749fdb64fc426/IMG_0069.jpeg" /&#62;&#60;img width="3055" height="2338" width_o="3055" height_o="2338" data-src="https://freight.cargo.site/t/original/i/f724e2528b9965b065b3ea47922e83dcd15904026118159a7c53ad93102955a0/thisisyourbrain.jpeg" data-mid="62398916" border="0"  src="https://freight.cargo.site/w/1000/i/f724e2528b9965b065b3ea47922e83dcd15904026118159a7c53ad93102955a0/thisisyourbrain.jpeg" /&#62;
Equipment + Technical Support:


&#60;img width="1060" height="326" width_o="1060" height_o="326" data-src="https://freight.cargo.site/t/original/i/89ceceed594e1eff944147a6d24f67777dc5197791dd6ceda80b45fd46b0dcf9/cropped-Screen-Shot-2017-09-14-at-4.22.54-PM-1.png" data-mid="62388679" border="0" data-scale="26" src="https://freight.cargo.site/w/1000/i/89ceceed594e1eff944147a6d24f67777dc5197791dd6ceda80b45fd46b0dcf9/cropped-Screen-Shot-2017-09-14-at-4.22.54-PM-1.png" /&#62;
Video Pool Media Arts Centre, Winnipeg, MB
&#60;img width="699" height="150" width_o="699" height_o="150" data-src="https://freight.cargo.site/t/original/i/0e48620ad8e0b218d44131efe52ba3e67efd82c7630d6031c2a843dd6074488b/FilmGroup-logo-CMYK.jpg" data-mid="62388763" border="0" data-scale="32" src="https://freight.cargo.site/w/699/i/0e48620ad8e0b218d44131efe52ba3e67efd82c7630d6031c2a843dd6074488b/FilmGroup-logo-CMYK.jpg" /&#62;
Winnipeg Film Group, Winnipeg, MB

&#60;img width="167" height="50" src="https://freight.cargo.site/w/167/i/e576c072f5f2ad2818e575d9d904c5d5d6f5544319bcf72b68a4ab0e79668c6b/VIVO_logo.png" style="width: 167px; height: 50px;"&#62;
VIVO Media Arts Centre, Vancouver, BC



Shot on Location at:
&#60;img width="225" height="225" width_o="225" height_o="225" data-src="https://freight.cargo.site/t/original/i/48812572be5c839b04c9195b5a07039c96baf9517566c2920345729b87abbef0/images.png" data-mid="62390543" border="0"  src="https://freight.cargo.site/w/225/i/48812572be5c839b04c9195b5a07039c96baf9517566c2920345729b87abbef0/images.png" /&#62;

Winnipeg, MB, Canada


Special thanks to Annik Gaudet, Jordan McIntyre, Ella &#38;amp; Sully
	We acknowledge the support of the Canada Council for the Arts.Nous remercions le Conseil des arts du Canada de son soutien.&#60;img width="1200" height="220" width_o="1200" height_o="220" data-src="https://freight.cargo.site/t/original/i/a4822df3e1f7b9eb72be175869ead489772a19aa412a2df86d336f23a4da268b/CCFA_RGB_colour_e.jpg" data-mid="62388581" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/a4822df3e1f7b9eb72be175869ead489772a19aa412a2df86d336f23a4da268b/CCFA_RGB_colour_e.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Alternative Planet</title>
				
		<link>https://emiliecrewe.com/Alternative-Planet</link>

		<pubDate>Thu, 18 Jul 2024 21:43:05 +0000</pubDate>

		<dc:creator>Emilie Crewe</dc:creator>

		<guid isPermaLink="true">https://emiliecrewe.com/Alternative-Planet</guid>

		<description>[ALT. PLAN'T], 2024
a.k.a. Alternative Planet


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/80e1511878cab6463089847acfabd26dd6e9d4d98f857e175ccd5a2868a6e227/ALTPLANT_VideoStill_03.jpg" data-mid="214886986" border="0"  src="https://freight.cargo.site/w/1000/i/80e1511878cab6463089847acfabd26dd6e9d4d98f857e175ccd5a2868a6e227/ALTPLANT_VideoStill_03.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dcb1b3dd1d3fb7005e955a3a1bfb36e48a42db750f6bb38830b6aec070fcb35c/ALTPLANT_VideoStill_06.jpg" data-mid="214886988" border="0"  src="https://freight.cargo.site/w/1000/i/dcb1b3dd1d3fb7005e955a3a1bfb36e48a42db750f6bb38830b6aec070fcb35c/ALTPLANT_VideoStill_06.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/460b28862c81cbba57bb622e83a1dea4687098e72db8ef9f2d1124fd37eadd85/ALTPLANT_VideoStill_07.jpg" data-mid="214886991" border="0"  src="https://freight.cargo.site/w/1000/i/460b28862c81cbba57bb622e83a1dea4687098e72db8ef9f2d1124fd37eadd85/ALTPLANT_VideoStill_07.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/968a76e2e54ef21a129f16dfbeb5c2629ba50dd0ba1de910ab6f202c73440b39/ALTPLANT_VideoStill_02-copy.jpg" data-mid="233058814" border="0"  src="https://freight.cargo.site/w/1000/i/968a76e2e54ef21a129f16dfbeb5c2629ba50dd0ba1de910ab6f202c73440b39/ALTPLANT_VideoStill_02-copy.jpg" /&#62;

[ALT. PLAN'T], 2024 &#124; a.k.a. Alternative Planet &#124; 2’30”Video &#38;amp; Textural Soundscape by Emilie Crewe
Original Piano Music Composed &#38;amp; Performed by Ralph Crewe
4K (+ SD) Video Collage w/ Hi-Res Digital Stop-motion "Scanimation"
	Set in three phases, [Alt Plan’t] tells the story of a lone Astro-gardener documenting their experience on a distant exoplanet. Through metaphors and overlapping terminology, the narrative creates a cross-bridge between astronomy and anatomy, highlighting themes of transcending the corporeal body into planetary orbit across space-time. [Alt Plan’t], short for “alternative planet,” explores the concept of seeking out the 'habitable zone' of extrasolar planets for human ecological benefit and colonization—a controversial topic. This particular planet is inspired by Gliese 667Cc, located 23.62 light-years away.

The video was produced from footage collected during an artist residency in Reykjavik, Iceland, in 2021. Visuals of the Fagradalsfjall Volcano and the Hellisheidi Geothermal Power Plant represent the exoplanet, while an array of planetary pill bottles drifts through interstellar space. The gardener character was created as a stop-motion “scanimation” using hundreds of digital still images captured from a flatbed scanner. My brother, Ralph, composed and performed the piano music, which I edited and mastered to accompany a heavily layered, textural soundscape.
</description>
		
	</item>
		
		
	<item>
		<title>Appalling Nature</title>
				
		<link>https://emiliecrewe.com/Appalling-Nature</link>

		<pubDate>Sat, 28 Dec 2019 17:54:24 +0000</pubDate>

		<dc:creator>Emilie Crewe</dc:creator>

		<guid isPermaLink="true">https://emiliecrewe.com/Appalling-Nature</guid>

		<description>Appalling Nature (Erin in Snow), 2020







&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/48d6e2a2750fccbb65c3642c2910eadb9c56f8a11cc2e07784fbe5b1a98a904b/APNT_06.jpg" data-mid="57341736" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/48d6e2a2750fccbb65c3642c2910eadb9c56f8a11cc2e07784fbe5b1a98a904b/APNT_06.jpg" /&#62;
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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6e4397fdc0b3415bf021361ac1449de5ca3d087cf27814bbd3a7066870094f4c/APNT_14.jpg" data-mid="57341782" border="0"  src="https://freight.cargo.site/w/1000/i/6e4397fdc0b3415bf021361ac1449de5ca3d087cf27814bbd3a7066870094f4c/APNT_14.jpg" /&#62;
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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a833fd8c71d20b88d6574974b3131635d161e5fb47104641f8c5781d853f8088/APNT_01.jpg" data-mid="57341789" border="0"  src="https://freight.cargo.site/w/1000/i/a833fd8c71d20b88d6574974b3131635d161e5fb47104641f8c5781d853f8088/APNT_01.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4da5d5a9bd80888bba87e822418970b2cb016bbe48ea356a72bebbe3353944ec/APNT_09.jpg" data-mid="57341809" border="0"  src="https://freight.cargo.site/w/1000/i/4da5d5a9bd80888bba87e822418970b2cb016bbe48ea356a72bebbe3353944ec/APNT_09.jpg" /&#62;




	Appalling Nature (Erin in Snow), 2020Single-channel HD Video, Hand-drawn Animation, Found Footage9’23”Featuring Erin Nixon Narrated by Richard Smart &#38;amp; Emilie Crewe
	Video Still Images &#38;nbsp; &#38;nbsp;Vimeo Link &#38;nbsp; &#38;nbsp;&#38;nbsp;




Erin is on her way home after a long day’s work. She follows the elongated shadows of barren trees as she struggles to find her way, battling her own inner voice. Unsure if she is being hunted, her thoughts align with a nearby doe, whose instincts are sparked by carnal awareness.

An array of household pets serve as counterparts to the protagonist’s own sense of captivity. Like Erin, they are unintentional prisoners. They are her unforeseen spirit guides; animal totems of her everyday stresses.

A thoughtful meditation on anxiety and uncertainty, Appalling Nature is a journey through mental suffering and winter landscapes.* * * *&#38;nbsp;I often find myself thinking about schools when watching experimental film programs. Sometimes, I’m wondering whether one filmmaker studied with another, as I did while watching Emilie Crewe’s APPALLING NATURE (2020, 9 min), a droll but disturbing storybook about human-animal encounters in the great outdoors. Replete with critters, bursts of animation, and heightened anxiety, I saw a connection to the work of Emily Vey Duke and Cooper Battersby; turns Crewe graduated from the same college as her fellow Canucks, albeit a decade later. Perhaps there’s always been something psychotropic in the water at the Nova Scotia College of Art and Design University?&#38;nbsp; -&#38;nbsp;Michael Metzger; Cine-File: Chicago Guide to Independent and Underground Cinema



* Appalling Nature has been screened at the 27th Chicago Underground Film Festival (2020) and as part of Another Experiment by Women (Curated by Lili White) through New Filmmakers NY in New York, NY, USA (2020)</description>
		
	</item>
		
		
	<item>
		<title>Bera:tón</title>
				
		<link>https://emiliecrewe.com/Bera-ton</link>

		<pubDate>Fri, 29 Oct 2021 22:53:57 +0000</pubDate>

		<dc:creator>Emilie Crewe</dc:creator>

		<guid isPermaLink="true">https://emiliecrewe.com/Bera-ton</guid>

		<description>Bera:tón, 2021 - Studio Work
SÍM Artist Residency; Reykjavik, Iceland
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/e598cd28d4e3eeb90072d8220daef6c7616cacd688d4184e3c8fb9efd16b95c1/SIM_studio_wall7_oct10.jpg" data-mid="123816266" border="0"  src="https://freight.cargo.site/w/1000/i/e598cd28d4e3eeb90072d8220daef6c7616cacd688d4184e3c8fb9efd16b95c1/SIM_studio_wall7_oct10.jpg" /&#62;
In October of 2021, I traveled to Reykjavik to stay at the Seljavegur SÍM Artist Residency for one month. Bera:tón is a research project that began during my time spent in Iceland.&#38;nbsp; My focus was mainly on Nordic feminism and the history of women’s rights in Iceland. Gradually, I began to explore a deeper, feminine connection to the earth, and in particular, volcanoes and geothermal power.

	
The title is derived from two Icelandic words, bera meaning “to carry”, and tón, as in a musical tone or note.&#38;nbsp; The name of the project is a double entendre for the word, baritone, which is a (typically) male singing voice.

bera = to carry in Icelandic&#38;nbsp; //&#38;nbsp; tón = a musical note or “tone” in Icelandic
[to sustain a note : to carry a tune : to carry that weight]

bar·i·tone/ˈberəˌtōn/: a male singing voice; an adult male singing voice between tenor and bass. "He sang in a rich baritone."

	
&#60;img width="3000" height="2044" width_o="3000" height_o="2044" data-src="https://freight.cargo.site/t/original/i/19c5e9e07cef9c6369f821b84a4b0ecbf2f47a0be25bd28d863c603fc1cc3aef/EmilieCrewe_StudioWall_CU_2.jpeg" data-mid="124140689" border="0"  src="https://freight.cargo.site/w/1000/i/19c5e9e07cef9c6369f821b84a4b0ecbf2f47a0be25bd28d863c603fc1cc3aef/EmilieCrewe_StudioWall_CU_2.jpeg" /&#62;
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/db3a6b78364d8f4c3d25f785aabc15099cc66f30047713e8775adce46a237b17/EmilieCrewe_beraton1.jpeg" data-mid="125790225" border="0"  src="https://freight.cargo.site/w/1000/i/db3a6b78364d8f4c3d25f785aabc15099cc66f30047713e8775adce46a237b17/EmilieCrewe_beraton1.jpeg" /&#62;
&#60;img width="5149" height="3432" width_o="5149" height_o="3432" data-src="https://freight.cargo.site/t/original/i/bf669462d5cdf6d996f95eb1cceef18f59d1720bf31c2614209b1397c184efcb/EmilieCrewe_beraton2.jpeg" data-mid="125790337" border="0"  src="https://freight.cargo.site/w/1000/i/bf669462d5cdf6d996f95eb1cceef18f59d1720bf31c2614209b1397c184efcb/EmilieCrewe_beraton2.jpeg" /&#62;



&#60;img width="5062" height="2655" width_o="5062" height_o="2655" data-src="https://freight.cargo.site/t/original/i/2c5b466aa679e855627f478a21155b69389e05622de3a99e0b78a79d5c2a6b0f/BeraTon_StudioWall_2.jpeg" data-mid="123819895" border="0"  src="https://freight.cargo.site/w/1000/i/2c5b466aa679e855627f478a21155b69389e05622de3a99e0b78a79d5c2a6b0f/BeraTon_StudioWall_2.jpeg" /&#62;
The luxury is in a bulletin board that is eight feet long and four feet tall. a single-sized bed and the hair of twelve people clogging the drain.&#38;nbsp; The seven-hour time change has me up at the oddest hours staring at the cork board that is painted over after each passing resident.&#38;nbsp; Layers of white to erase the residue of charcoal and paint and skin.&#38;nbsp; My presence won’t need a coat; it’s just pins.&#38;nbsp; I’m whittling away at something I’m not quite sure of yet.

&#60;img width="5084" height="3187" width_o="5084" height_o="3187" data-src="https://freight.cargo.site/t/original/i/5d4ce616522a75be087ae46fce270ec57332387510428fa8cfaa27f276626ee0/MUNArocks_2.jpeg" data-mid="123814997" border="0"  src="https://freight.cargo.site/w/1000/i/5d4ce616522a75be087ae46fce270ec57332387510428fa8cfaa27f276626ee0/MUNArocks_2.jpeg" /&#62;MUNA: ‘to remember’ in Icelandic.
One-hundred tiny lava rocks arranged on my desk remind me of the gravestones at Arlington. I call them my ‘moon rocks’ because they have tiny porous holes and dips and craters like the moon.
&#60;img width="4537" height="3056" width_o="4537" height_o="3056" data-src="https://freight.cargo.site/t/original/i/00fb698942f7e593a0270bead83ca67283dc9f87c1039bc4f15d482771b59a4e/MUNArocks_1.jpg" data-mid="123812040" border="0"  src="https://freight.cargo.site/w/1000/i/00fb698942f7e593a0270bead83ca67283dc9f87c1039bc4f15d482771b59a4e/MUNArocks_1.jpg" /&#62;I think about death and grief, and the people who came before me. To plant something is also to bury something: an idea, a memory, a body, a stone, a seed.




	&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/f02fd75472a02453a811c37695c2197d4fa0a92986bbce8805533437039f5fd2/SIM_studio_wall6_oct10-copy.jpg" data-mid="123815040" border="0"  src="https://freight.cargo.site/w/1000/i/f02fd75472a02453a811c37695c2197d4fa0a92986bbce8805533437039f5fd2/SIM_studio_wall6_oct10-copy.jpg" /&#62;
On the world’s stage, Iceland is a touchstone of feminism that many are thirsty for:

 A spellbinding nation of fierce women ironclad from generations of hardship in an unforgiving land.&#38;nbsp; They are known for equality amongst men and women, fair pay in the labor industry, progressive female politicians and groundbreaking laws in human rights.&#38;nbsp;
&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/47a49cbd89ac035881b9b0970a84fb2c08ede6e70ab28aadedc39ed683b7805a/EmilieCrewe_StudioWall_CU.jpeg" data-mid="124139225" border="0"  src="https://freight.cargo.site/w/1000/i/47a49cbd89ac035881b9b0970a84fb2c08ede6e70ab28aadedc39ed683b7805a/EmilieCrewe_StudioWall_CU.jpeg" /&#62;




Seljavegur SÍM Artist Residency // The Artist’s Studio // Room 6&#60;img width="8477" height="2365" width_o="8477" height_o="2365" data-src="https://freight.cargo.site/t/original/i/747ce3609658484a7c2cda95f2b948d6c76baca6e6d2e9946e96afd6005980e3/SIMstudio_WIDE.jpg" data-mid="124040071" border="0"  src="https://freight.cargo.site/w/1000/i/747ce3609658484a7c2cda95f2b948d6c76baca6e6d2e9946e96afd6005980e3/SIMstudio_WIDE.jpg" /&#62;The grass is never greener. Here, it’s mostly moss and hardly any trees. The volcanic landscape is carpeted in Cetraria Islandica, which is actually a lichen species (commonly referred to as a moss) that is extremely fragile and grows at a remarkably slow rate.
It takes generations to see change in a society. Iceland is no different. As an outsider, the portrayal of this country is romantic and idyllic, but there is a lot that is swept under the carpet: underlying misogyny, continuing gender inequality in the labour market and severe xenophobia, particularly against Polish immigrants.
I’m drawn to many stories; some are not mind to tell.
I absorb. I listen. I put back the stones and I leave the little rocks that aren’t for me to keep.
	
	
</description>
		
	</item>
		
		
	<item>
		<title>This Room/Patterns</title>
				
		<link>https://emiliecrewe.com/This-Room-Patterns</link>

		<pubDate>Sun, 28 Jul 2019 17:03:34 +0000</pubDate>

		<dc:creator>Emilie Crewe</dc:creator>

		<guid isPermaLink="true">https://emiliecrewe.com/This-Room-Patterns</guid>

		<description>This Room/Patterns, 2017


This Room/Patterns, 2017HD Video(Nine-channel Video Collage)14'42"Performed by Anne HansenAn older woman feeds on what surrounds her. She makes things. She counts seconds as she presses flowers, cataloguing the petals in the dictionary. Keeping time, everyday iteratives are woven together with fragments of the past. All the while, the outside world eludes as she is anchored to the 9th floor...This Room/Patterns is based on the concept of a barnacle: an encrusted species, permanently attached. Depicted in the video is a hermetic, elderly woman reflecting on memories, antiquities and the space around her. Nine windows of moving images are arranged simultaneously to create a video collage.*This artwork is a multi-channel video that can be screened in a screening program, or exhibited as a looping video projection/monitor. Additionally, the artwork can be separated into nine, six, or three different channels and exhibited on multiple synced screens.Art on the Screens 2017, Public Art Exhibition; Mississauga, Ontario, Canada:

&#60;img width="2400" height="1550" width_o="2400" height_o="1550" data-src="https://freight.cargo.site/t/original/i/b5ff85df72e4c49bdae8c7dbc59f4723bdb34bbd425cb07382bf1d6d51539a85/EmilieCrewe_ThisRoom_PublicArt_1.jpg" data-mid="52799626" border="0"  src="https://freight.cargo.site/w/1000/i/b5ff85df72e4c49bdae8c7dbc59f4723bdb34bbd425cb07382bf1d6d51539a85/EmilieCrewe_ThisRoom_PublicArt_1.jpg" /&#62;
&#60;img width="2400" height="1527" width_o="2400" height_o="1527" data-src="https://freight.cargo.site/t/original/i/f0d6fa8628bb5f23bacdac91cebb3110397681635234d0a795154a953b547f75/EmilieCrewe_ThisRoom_PublicArt_2.jpg" data-mid="52799627" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f0d6fa8628bb5f23bacdac91cebb3110397681635234d0a795154a953b547f75/EmilieCrewe_ThisRoom_PublicArt_2.jpg" /&#62;
&#60;img width="1867" height="1215" width_o="1867" height_o="1215" data-src="https://freight.cargo.site/t/original/i/9d2849f3c645868c1a92ffcb63372ca7429a6e00736acaec680a3ef79077d7e7/EmilieCrewe_ThisRoom_PublicArt_3.jpg" data-mid="52799628" border="0"  src="https://freight.cargo.site/w/1000/i/9d2849f3c645868c1a92ffcb63372ca7429a6e00736acaec680a3ef79077d7e7/EmilieCrewe_ThisRoom_PublicArt_3.jpg" /&#62;


Video Stills:
&#60;img width="1900" height="1069" width_o="1900" height_o="1069" data-src="https://freight.cargo.site/t/original/i/3c7140a9b5a4081cf386c68911cc32b6a9979a3ffb3c5e51e176b7489910befe/ThisRoom-Patterns_19.jpg" data-mid="52799787" border="0"  src="https://freight.cargo.site/w/1000/i/3c7140a9b5a4081cf386c68911cc32b6a9979a3ffb3c5e51e176b7489910befe/ThisRoom-Patterns_19.jpg" /&#62;
&#60;img width="1894" height="1065" width_o="1894" height_o="1065" data-src="https://freight.cargo.site/t/original/i/58e3b9d0e35e045a06b5dfd3767f6416cd05806b4f70af409b8ebd873b14c138/ThisRoom-Patterns_20.jpg" data-mid="52799819" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/58e3b9d0e35e045a06b5dfd3767f6416cd05806b4f70af409b8ebd873b14c138/ThisRoom-Patterns_20.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a2add1895478b94e76cfcfa576d09357dfd982af1313826e5be6870632fb38fd/ThisRoom-Patterns_24.jpg" data-mid="52799820" border="0"  src="https://freight.cargo.site/w/1000/i/a2add1895478b94e76cfcfa576d09357dfd982af1313826e5be6870632fb38fd/ThisRoom-Patterns_24.jpg" /&#62;
&#60;img width="1906" height="1072" width_o="1906" height_o="1072" data-src="https://freight.cargo.site/t/original/i/244767f4379ae3937ef948388280eec0dd96a94b0b52f4c6d745a1584bd7f5a8/ThisRoom-Patterns_05.jpg" data-mid="52799889" border="0"  src="https://freight.cargo.site/w/1000/i/244767f4379ae3937ef948388280eec0dd96a94b0b52f4c6d745a1584bd7f5a8/ThisRoom-Patterns_05.jpg" /&#62;
&#60;img width="1900" height="1069" width_o="1900" height_o="1069" data-src="https://freight.cargo.site/t/original/i/c9666a0ab2f792cfdc172bee30dc6eb6cdf4b752f300fd1cc38e1ffd1422b78b/ThisRoom-Patterns_09.jpg" data-mid="52799911" border="0"  src="https://freight.cargo.site/w/1000/i/c9666a0ab2f792cfdc172bee30dc6eb6cdf4b752f300fd1cc38e1ffd1422b78b/ThisRoom-Patterns_09.jpg" /&#62;
&#60;img width="1904" height="1071" width_o="1904" height_o="1071" data-src="https://freight.cargo.site/t/original/i/0220b740bc89892c57fb9808b315d967eb5eaa19ab5b28e992581139c406107a/ThisRoom-Patterns_11.jpg" data-mid="52799913" border="0"  src="https://freight.cargo.site/w/1000/i/0220b740bc89892c57fb9808b315d967eb5eaa19ab5b28e992581139c406107a/ThisRoom-Patterns_11.jpg" /&#62;
&#60;img width="1901" height="1069" width_o="1901" height_o="1069" data-src="https://freight.cargo.site/t/original/i/3c5d4acceb3737b6345f4cb51cf3781b5f7d726200633e7156ad1e47ea6c0a64/ThisRoom-Patterns_18.jpg" data-mid="52799785" border="0"  src="https://freight.cargo.site/w/1000/i/3c5d4acceb3737b6345f4cb51cf3781b5f7d726200633e7156ad1e47ea6c0a64/ThisRoom-Patterns_18.jpg" /&#62;
&#60;img width="1900" height="1069" width_o="1900" height_o="1069" data-src="https://freight.cargo.site/t/original/i/d272ed72b8b7c9e3785d00b3a5a492c5e68754e7f06b44a85698144033168a97/ThisRoom-Patterns_16.jpg" data-mid="52799922" border="0"  src="https://freight.cargo.site/w/1000/i/d272ed72b8b7c9e3785d00b3a5a492c5e68754e7f06b44a85698144033168a97/ThisRoom-Patterns_16.jpg" /&#62;


* This Room/Patterns was screened as a public artwork in 2017 for 'Art on the Screens' at Celebration Square in Mississauga, ON, Canada, exhibited at Roman Susan Gallery in Chicago, IL, USA in 2017, exhibited as a looping video installation for aDifferent Festival at aCinema in Milwaukee, WI, USA in 2018, exhibited at Two Rivers Gallery in Prince George, BC, Canada from January to April of 2018, and screened at the Hudson Valley Museum of Contemporary Art in a program called "Streams and Channels" for the opening of the Peekskill Film Festival in 2019. In addition, the artwork was included in the "Streetlight" program at Roman Susan Art Foundation and Wedge Projects in Chicago, IL in 2019.


Three-channel Mock-up:

&#60;img width="1000" height="635" width_o="1000" height_o="635" data-src="https://freight.cargo.site/t/original/i/2b02e0e9794e92c74d3f5d9926f03c586860d0e23bede40408995354a61b2aea/ThisRoomMOCKUP7.jpg" data-mid="52802004" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2b02e0e9794e92c74d3f5d9926f03c586860d0e23bede40408995354a61b2aea/ThisRoomMOCKUP7.jpg" /&#62;
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/f64a309180e064c6279f29c4bfddb645fb09c3195a35e00d7722de2a187d287d/ThisRoomMOCKUP6.jpg" data-mid="52802039" border="0"  src="https://freight.cargo.site/w/1000/i/f64a309180e064c6279f29c4bfddb645fb09c3195a35e00d7722de2a187d287d/ThisRoomMOCKUP6.jpg" /&#62;


Three-channel Video:
</description>
		
	</item>
		
		
	<item>
		<title>Self Help</title>
				
		<link>https://emiliecrewe.com/Self-Help</link>

		<pubDate>Sun, 28 Jul 2019 17:03:34 +0000</pubDate>

		<dc:creator>Emilie Crewe</dc:creator>

		<guid isPermaLink="true">https://emiliecrewe.com/Self-Help</guid>

		<description>SELF HELP, 2018


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c6a0a4cf5ad21fcde46f2d18bf1ddfaed78b2e4e8020b96ebac46e8fc960ec87/SELFHELP_3.jpg" data-mid="52743244" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c6a0a4cf5ad21fcde46f2d18bf1ddfaed78b2e4e8020b96ebac46e8fc960ec87/SELFHELP_3.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5c9c4e184c062cbeab773675e3639755bbefd63df133ccc33c4dba7c84ac2b67/SELFHELP_1.jpg" data-mid="52796795" border="0"  src="https://freight.cargo.site/w/1000/i/5c9c4e184c062cbeab773675e3639755bbefd63df133ccc33c4dba7c84ac2b67/SELFHELP_1.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/93835c18c40e7c63913a4edec77c41f8a5f4d1fe545b65caf1c2b3420dbd8205/SELFHELP_2.jpg" data-mid="52796796" border="0"  src="https://freight.cargo.site/w/1000/i/93835c18c40e7c63913a4edec77c41f8a5f4d1fe545b65caf1c2b3420dbd8205/SELFHELP_2.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/795e0bc0094b3f58ae0edc347425364056b1931f61c4a9ca3d43c92f527b403c/SELFHELP_3.jpg" data-mid="52796797" border="0"  src="https://freight.cargo.site/w/1000/i/795e0bc0094b3f58ae0edc347425364056b1931f61c4a9ca3d43c92f527b403c/SELFHELP_3.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/03fe4bc029109fb494c36094e1d2619724f3300156429ebbc921915dce709c2c/SELFHELP_5.jpg" data-mid="52796798" border="0"  src="https://freight.cargo.site/w/1000/i/03fe4bc029109fb494c36094e1d2619724f3300156429ebbc921915dce709c2c/SELFHELP_5.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b690b9a63964ed098150f9a1adb10b903ced332f086b6b376d6d88cf26455d8a/SELFHELP_6.jpg" data-mid="52796799" border="0"  src="https://freight.cargo.site/w/1000/i/b690b9a63964ed098150f9a1adb10b903ced332f086b6b376d6d88cf26455d8a/SELFHELP_6.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b4e912c011cde2bde32ae716b5bdbc09330463d2295f6aedf38365e18182e6ef/SELFHELP_7.jpg" data-mid="52796800" border="0"  src="https://freight.cargo.site/w/1000/i/b4e912c011cde2bde32ae716b5bdbc09330463d2295f6aedf38365e18182e6ef/SELFHELP_7.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/24f4c240ce351525d4c52cdcc6cda39a4dd339b4c01d006ea2558976e44fab7a/SELFHELP_8.jpg" data-mid="52796801" border="0"  src="https://freight.cargo.site/w/1000/i/24f4c240ce351525d4c52cdcc6cda39a4dd339b4c01d006ea2558976e44fab7a/SELFHELP_8.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d26389e11da151aa9097397ea0e15d55decf81726eb89abafec874bba1416e5a/SELFHELP_9.jpg" data-mid="52796803" border="0"  src="https://freight.cargo.site/w/1000/i/d26389e11da151aa9097397ea0e15d55decf81726eb89abafec874bba1416e5a/SELFHELP_9.jpg" /&#62;


SELF HELP, 2017/18
Single-channel HD Video
12’53” (seamless loop)
Can be exhibited with or without sound

SELF HELP features close-up images of an assortment of books being "thumbed through". As the video progresses, the object of the book takes on a sculptural and landscape-like characteristic. As pages flip by, fragments of text are highlighted, offering the viewer a spontaneous poetic narrative. The audience may piece together snippets of words, creating a different viewing experience with each screening.

The title references the books that are in the video: a mixture of classic literature, non-fiction wilderness/travel, and self help books. A personalized element of the 'self' comes into play as each viewer pieces together little bits of text.


&#60;img width="1000" height="651" width_o="1000" height_o="651" data-src="https://freight.cargo.site/t/original/i/655cd114b56a5b71766fe6e986f059a4bf9aec3923cc1fc423bdd350efe23eaa/EmilieCrewe_UMW_4_670.jpg" data-mid="52875550" border="0"  src="https://freight.cargo.site/w/1000/i/655cd114b56a5b71766fe6e986f059a4bf9aec3923cc1fc423bdd350efe23eaa/EmilieCrewe_UMW_4_670.jpg" /&#62;
&#60;img width="3216" height="2073" width_o="3216" height_o="2073" data-src="https://freight.cargo.site/t/original/i/a9f5704795527971705e53461cb7af669b78018f94d772bf1d2cafb1356f8e95/selfhelpINSTALL.jpg" data-mid="52796886" border="0"  src="https://freight.cargo.site/w/1000/i/a9f5704795527971705e53461cb7af669b78018f94d772bf1d2cafb1356f8e95/selfhelpINSTALL.jpg" /&#62;
&#60;img width="1000" height="666" width_o="1000" height_o="666" data-src="https://freight.cargo.site/t/original/i/b10af58379d17b1f1b00b5e6fa78869b58dd08b4e4bad723c148a32f6dec93db/EmilieCrewe_UMW_3_670.jpg" data-mid="52875549" border="0"  src="https://freight.cargo.site/w/1000/i/b10af58379d17b1f1b00b5e6fa78869b58dd08b4e4bad723c148a32f6dec93db/EmilieCrewe_UMW_3_670.jpg" /&#62;
Documentation of installation at the UMW Media Wall in Fredericksburg, Virginia, USA, April 2018
Two-person Exhibition with Aaron Higgins &#124;&#38;nbsp;Photo credit: Jason Robinson


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